I find Finn's story interesting in a very abstract way because he fits that trope of the high school big shot graduating and finding out that he doesn't have enough to make it past that. He does need to find new dreams, like Rachel said. Nonetheless, I found their reasons for having sex and being together very sad and I can't see them lasting with what they currently have.
IA with you about Kurt and Blaine. The conflict was great and the story flowed although I do wish S&P would unclench a heck of a lot more. It's almost 1950s-esque. If they were older and lived together, they'd probably have separate beds a la I Love Lucy.
I like and don't like the Shannon story. I'm going to wait with that one until we see more of it.
A lot of the intercutting of the songs with the other scenes was interesting, but I didn't care for it in the end. I found it unnecessary and A Boy Like That was the worst offender in that sense.
I love that Puck remains a terrible actor, but those accents they all put on! My gosh, I was horrified, laughing, and offended all at once. Incredible. And it was so obvious that the Jets sang that one line of America only so they could get Mike in view of his mother for that supportive clap. It was pathetic. Yay, at Mercedes being there with Shane, though. She's a better person than all of them, I swear.
The French teacher was majorly hot and I enjoyed the choreography and arrangement of the scene(Billy Joel owns me), but the singing and production was awful! Total trainwreck.
Kurt was a badass with Sebastian and he uses that shimmy like it's a weapon. Sebastian better watch out or Kurt's going to add some jazz hands.
As for Karofsky: I still don't care for him as a character and Max is only a passable actor even when Chris is carrying the entire scene for him. I liked the scene as a resolution, but I don't think having him show up again is necessary.
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IA with you about Kurt and Blaine. The conflict was great and the story flowed although I do wish S&P would unclench a heck of a lot more. It's almost 1950s-esque. If they were older and lived together, they'd probably have separate beds a la I Love Lucy.
I like and don't like the Shannon story. I'm going to wait with that one until we see more of it.
A lot of the intercutting of the songs with the other scenes was interesting, but I didn't care for it in the end. I found it unnecessary and A Boy Like That was the worst offender in that sense.
I love that Puck remains a terrible actor, but those accents they all put on! My gosh, I was horrified, laughing, and offended all at once. Incredible. And it was so obvious that the Jets sang that one line of America only so they could get Mike in view of his mother for that supportive clap. It was pathetic. Yay, at Mercedes being there with Shane, though. She's a better person than all of them, I swear.
The French teacher was majorly hot and I enjoyed the choreography and arrangement of the scene(Billy Joel owns me), but the singing and production was awful! Total trainwreck.
Kurt was a badass with Sebastian and he uses that shimmy like it's a weapon. Sebastian better watch out or Kurt's going to add some jazz hands.
As for Karofsky: I still don't care for him as a character and Max is only a passable actor even when Chris is carrying the entire scene for him. I liked the scene as a resolution, but I don't think having him show up again is necessary.